RENAUD LAYRAC
HORIZON D'ATTENTE
Résultat de la traduction
February 19 to March 9, 2019
Curated by: Yann Toma
Opening February 19, 2019
Sorbonne Artgallery is pleased to present the exhibition Horizon d'attente by artist Reynaud Layrac, on view from February 19 to March 9, 2019.
The images presented are montages of elements retrieved from the web. Affirming this gesture of appropria- tion, the Before Present watermark is printed like a copyright. Here, the expression, abbreviated BP, is used in the scientific world as a temporal referent for carbon-14 dating. It also refers to the past of Renaud Layrac, who, as part of the BP group in the late '80s, questioned the place of the artist in a society dominated by multinationals deaf to social and ecological issues. Before Present also expresses the opposition between the long time frame of the planet and its history, and the immediacy of a contemporary world governed by speed.
Paul Virilio, interviewed in 2009 about his exhibition "Ce qui arrive" at the Fondation Cartier, said: "We live in the conviction that we have a past and a future. But the past doesn't pass, it has become mon-truthful, to the point where we no longer refer to it. As for the future, it is limited by the ecological question, the programmed end of natural resources such as oil. That leaves the present to inhabit. But as the writer Octavio Paz once said, "The present is uninhabitable, as is the future. That's what we're experiencing right now...".
So where do we want to be: before or after the catastrophe?
Renaud Layrac was born in 1962. He first came to prominence with the BP group of artists he founded as a student at the Villa Arson in 1984. Nurtured by an urban culture, the group recycles products from the oil and automobile industries in devices that revisit the stereotypes of contemporary art, celebrating the end of the avant-garde and modernist utopias. BP's works have been exhibited in numerous international shows and are included in major private and institutional collections.
With this collaboration coming to an end in 2008, Renaud Layrac continues to pursue a line of thought in which art, author, logo and signature come face to face with the worlds of business and communication. His sculptures and installations often employ the logic of misappropriation and appropriation. In an age of digital flux, his images question how we represent, imagine and understand the world. He teaches art and scenography at the Ecole Supérieure d'Arts Plastiques in Monaco. He is a member of Art&Flux (Institut Acte) at the University of Paris 1 Panthéon-Sorbonne and of the UFR council at the Sorbonne School of Art.
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