An extension of the history of feminist struggles (workers, suffragettes) in the early 20th century, International Women's Rights Day converges with a critical and active stance formalized by the United Nations in 1977. Unfortunately, it is still relevant today, given the persistent inequalities between men and women. Women's rights remain one of the major struggles of our time, in all communities, all walks of life, all ages. Miss.Tic democratizes an art form in direct contact with our soma. At this very moment, her sincerity and artistic relevance match the impact of the images conveyed by those who today consider art to be capable of proposing,  often through images, at the heart of our collective consciousness, what Marie-José Mondzain calls an exercise in freedom, notably through subjectivizing operations that directly involve the viewer. It's here, in the visible, that something deepens and escapes the reduction of what Miss-Tic shows us. With a history that converges with many women's trajectories, Miss.Tic is today an ambassador for the goals of education and gender equality at the heart of the UN's priorities. Here, the Miss.Tic stencil is transformed into a sensitive form and material. Beyond its plastic quality, it invites us to resist and to think about the emancipation of women and their rights. This being of art tactfully signals a being of the, a possible extension of the self to the other. The virtue then of each of the artist's body parts, with their generously symbolic plasticity, is offered to all and for all in the public space of the University. Miss-Tic becomes an integral part of our imaginations, as she turns the corner of a street transformed into the Galerie Soufflot for the occasion.    often through images, at the heart of our collective consciousness, what Marie-José Mondzain calls an exercise in freedom, notably through subjectivizing operations that directly involve the viewer. It's here, in the visible, that something deepens and escapes the reduction of what Miss-Tic shows us. With a history that converges with many women's trajectories, Miss.Tic is today an ambassador for the goals of education and gender equality at the heart of the UN's priorities. Here, the Miss.Tic stencil is transformed into a sensitive form and material. Beyond its plastic quality, it invites us to resist and to think about the emancipation of women and their rights. This being of art tactfully signals a being of the, a possible extension of the self to the other. The virtue then of each of the artist's body parts, with their generously symbolic plasticity, is offered to all and for all in the public space of the University. Miss-Tic becomes an integral part of our imaginations, as she turns the corner of a street transformed into the Galerie Soufflot for the occasion.